new visual aesthetics of traditional chinese calligraphy 中國傳統(tǒng)書法藝術(shù)的新視覺審美傾向
the appearance, visual aesthetic feeling and real wood are all the same, the unsmooth design of the light relief, show the beauty of the lines of the wooden line especially 外觀及視覺美感與實木完全相同,淺浮雕的凹凸設(shè)計,凸現(xiàn)木紋的線條之美。
the training of visual aesthetic and logic construction makes stereo images break away from the research of technology, and apply on future visual design with the most proper formation 并輔以視覺美學(xué)與邏輯建構(gòu)的訓(xùn)練,使立體影像脫離技術(shù)性的探討,以最適切的形式應(yīng)用于未來的視覺設(shè)計當中。
a lot . i was little disappointed as zhang always displayed his unique visual aesthetic in his previous works, but this time, with the biggest budget and production scale, his peculiar style is unfortunately gone 張氏出身攝影,以往作品在視覺上個人風(fēng)格濃烈,今次的制作最嚴謹,但是論個人特色反而不及他的舊作,這點實在是電影的一個遺憾。
this thesis analyzes the influence of impressionism in mansfield's style of stories, and tries to make readers have a clear cognition of the writer's techniques and purposes of using these different methods : the visual aesthetic sense, capturing and expressing the impression of moment, time-space intercrossing 摘要曼斯菲爾德印象主義的創(chuàng)作方法首先表現(xiàn)為視覺的美感效應(yīng),在小說載體中傳達出繪畫所特有的可視性藝術(shù)效果;還表現(xiàn)在對瞬間印象的捕捉和傳達上,這也是曼斯菲爾德刻畫小說人物的常用表現(xiàn)方式;印象主義對曼斯菲爾德文學(xué)創(chuàng)作的另外一個影響,是其小說時空交錯的敘事方式。